Consumed: Hindsight, Hopes & Tony Hawks [Interview]

Skate-punk legends Consumed discuss regrets, releases, the modern music scene and how their families are part of it.

Article by Sarah Williams. Photos by JJ Photography UK.

Consumed have been a huge influence for nearly two decades, having originated the classic UK skate-punk sound back in the late 90s. They’re known for their the two records they released on Fat Wreck Chords (Breakfast At Pappas in 1998 and Hit For Six in 1999), both of which showcase their solid, fast, hook-laden punk rock style, which has often been described as quintessentially British.

They went on hiatus in 2003 and reformed in 2015, after much cajoling from Vanilla Pod’s Steve Ford. Since then they’ve been popping up across the country and there’s exciting news of a new EP in the works. As I said when I saw them recently, old-school Consumed fans are in for at treat – then new material sounds like classic Consumed, but it’s even fresher and more exciting.

I met up with guitarist Will Burchell and drummer Chris Billam in the backroom at London’s New Cross Inn, just before Christmas. I quizzed them about their past regrets and future releases, how they’re briging their families into music, and how they feel the punk scene has changed in 20 years.

You reformed for Podstock in 2015 and you’ve done a few shows since. What’s kept you going?

  • Chris Billam (drums): We just enjoyed playing Podstock. Also, when we played Podstock we were shit, so a lot of it was wanting to exorcise that demon! It was awful. Awful. I know the two of us were really nervous and I think it showed. We were out of our comfort zone. I was using the house kit, which was pretty shit, we were rushed for time, we had issues with the sound… we’d built it up to be this huge thing: The Return Of Consumed.

You’ve done a few shows since. I saw you at The Black Heart – that was great.

  • Will Burchell (guitar): That was when it started to feel like a proper gig. After Podstock we were like, “Thank Christ that’s over.”
  • Chris: We even started in the wrong key.
  • Will: Yeah. We started with a song off a compilation that was never properly released. I don’t know why – there were loads of these really weird decisions. We started playing that song in the wrong key and it was just sloppy.
  • Chris: It went downhill from there.
  • Will: We’ve probably done 30 shows since then? 25?
  • Chris: No… more like 20.

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You’ve got a couple of shows lined up, particularly the skate-punk all-dayer in Ipswich in February.

  • Will: It’s murder getting anything booked in. It’s a miracle we do anything because of the laborious internal dialogue we have just to get anything agreed.
  • Chris: Yeah. It’s hard enough trying to get four of us in the same room. It’s not because we hate each other. It’s just life.
  • Will: That’s the reason we’ve only got Liverpool and Ipswich and murmurings of this Japanese jaunt, although I’m not convinced that will happen. I feel like I’m tempting fate by saying it out loud.
  • Chris: Also, we’re a bit jaded with it all. If we did play too much we’d lose interest in it all, and we don’t want to lose interest. As soon as we’re back to the dark side of playing we’ll probably say, “Nah, let’s not do this anymore.” Because why would you? We’re all established in our own lives and weekends are precious. At a weekend you have time to be with your partners and kids, or you can go play in a shitty venue somewhere to five people. You’ve got to get it right.
  • Will: We’ve also taken gigs when it’s been a bit of an adventure. We’ve had a couple of jaunts over to Austria and Germany and those are fun travelling with friends.

You said three of you have kids. What about your taste outside of these gigs? Do you still listen to punk or have you matured into slower, more age-appropriate fare?

  • Will: How dare you!
  • Chris: I’m not going to lie. I put Kenny G on the other day. But then, by the same token, I took it off after about 30 seconds. I do still listen to punk but I’m very selective – I don’t mean that in an elitist way, it’s just that over the years you hear so much that you pare it down into what you’re really into.
  • Will: I think you do reach an age where your music taste calcifies.  When you’re a teenager you just consume music. We always talk about a record shop in Nottingham called Selectadisc. When punk was sort of breaking, you’d literally just devour new music. You’d learn about things from ‘thanks’ lists on record and you’d go in and say, “Right, I want all of the new whatever.” And then it would take three weeks to arrive.
  • Chris: Now with the fact that you can download and stream things, it’s so disposable. Whereas if you’re doing it the way Will’s just described you’d think, “I’m going to like this record, so I’m going to give it as much time as I possibly can.” Whereas now you can just go, “Ah well, it sounds alright,” and move on to the next thing. Propagandhi are still doing it, they’re great. There are always going to be some great bands doing it.
  • Will: There’s a handful. Clowns was the one I was thinking of – Bad Blood was the last album that really made me go ‘fucking hell’.
  • Chris: That album just took my face off. It’s fucking amazing.

Continue reading “Consumed: Hindsight, Hopes & Tony Hawks [Interview]”

Album Review: Down And Outs – Double Negative

“Double Negative is a short, sharp blast of ultra-melodic, ultra-catchy, ultra-economical jangly punk rock.” FFO: Leatherface, The Clash, Stiff Little Fingers.

Review by Ollie Stygall.

I thought I’d prepare for this review by Googling Liverpool, home of Down And Outs, to see how much of the city’s cultural heritage is dominated by The Beatles. It turns out it’s quite a lot! Tough luck if you’re a band from Liverpool, you have some very big shoes to fill! This is a bloody shame, as the three guys that make up Down And Outs are kicking up some top quality, melodic punk rock.

It turns out these guys are time served, having been around since 2004, and have an impressive and extensive catalogue of releases under their belts. It comes as no surprise to see they’ve had releases on a number of labels, including the fantastic Boss Tuneage Records.

Double Negative is a short, sharp blast of ultra-melodic, ultra-catchy, ultra-economical jangly punk rock. Of the 13 tracks here none exceed the two and a half minute mark. This is a band who say what they have to say, then they get the fuck out of Dodge. They get their point across quickly, eloquently and effectively, which makes for an impressive listening experience. Each song is a little blast of gold dust that does its job perfectly.

The band claims influence from acts such as The Clash and Leatherface, which kind of makes sense. They have assumed The Clash’s knack for penning catchy pop music within a punk framework and Leatherface’s rough-hewn charm, albeit with some of the spiky edges smoothed off. One comparison might be to a more stripped down Hot Water Music crossed with the heavier elements of someone like Soul Asylum (does anyone remember them? No? Just me then), and maybe a touch of classic old-school punk like Stiff Little Fingers, whose lyrical tales of hometown life seem to match Down & Outs’ own world view. Continue reading “Album Review: Down And Outs – Double Negative”

Pessimist: Pop Punk For Sad Guys [Interview]

We talk to Ipswich pop-punks Pessimist about their plans for 2018.

Article by Sarah Williams. Photos from Burnt Out Media.

Pessimist are a three-piece heavy pop punk band from Ipswich, which has been Shout Louder’s base for the last year or so. It’s always a pleasure to find a relatively new band in your local scene that get you just as excited as all the more-established options out there in the big wide music world.

We have always enjoyed watching them live, however they’re due to release an album later this year that’s sounding hotter and heavier than anything they’ve recorded in the past. They take a lot of cues from emo-influenced pop-punk bands like Knuckle Puck or Neck Deep, but weave in some heavier guitars influences (think Counterparts and Propagandhi) and early-Brand New style dual vocals.

We recently grabbed a few minutes with Chiron James, singer and bassist in Pessimist, to find out a bit more.

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Left to right: Sam Calder (drums), Chiron James (vox/bass) and Ciaran Burgess (vox/guitar)

Hi guys! Thanks very much for taking to time to chat to us.

You’re one my favourite bands in the Ipswich scene – your live show is always great. How long have you guys been playing together for?

That’s so nice of you to say! We’ve been playing together for around 2 years, but it took us a little while to get the formula we wanted, playing around with a few different styles.

Ipswich has a surprisingly thriving little musical community. What do you think is the best thing about the Ipswich scene?

I think South Street Studios (Punch, The Smokehouse, etc.) has absolutely pulled no punches in becoming the staple of Ipswich’s scene. They offer just about every service a band needs and are the nicest people.

You’ve been starting to play a few more shows around the country. Where’s the most interesting place you’ve played so far?

Oh dear! There have been a few interesting places so far… Reading, I think takes it though. We were on a mish mash bill with bands of different genres and there was a little crowd of people who were clearly on something. Continue reading “Pessimist: Pop Punk For Sad Guys [Interview]”

Gig Alert: Cinemania Fest

Check out this bangin’ melodic punk line-up hitting London on March 3rd!

Shout Louder’s very own Mark Bartlett has put together a blindingly good all-dayer in South London, to celebrate the release of Our Lives In Cinema‘s new EP All Talk and Triple Sundae‘s new single Indecisive, both out on Umlaut Records in the near future. They’ve curated an exciting collection of up-and-coming bands from around the country, all of whom are linked by a talent for fast, catchy, hooky melodies. In short: fun.

The lineup includes some incredible bands, such as Manchester’s freshest power-punks Aerial Salad, melodic fast-punk favourites Captain Trips and London’s own Triple Sundae, who will no doubt be playing some tunes from their seriously exicting new record.

You’re also going to fall in love with Arms & Hearts, a solo singer-songwriter with one hell of a voice, in the style of Brian Fallon or Chuck Ragan. You’ll walk out of the gig desperately wanting to get his beautiful lyrics tattooed all over you. If that’s not your thing, FastFade and Second In Line will bring you back into the fast-punk game. Continue reading “Gig Alert: Cinemania Fest”

Post-Gig Reflections from a Promoter Who’s Prone to Panic Attacks

A brutally honest account of the anxiety and stress that comes with putting on a punk gig.

Article by Sarah Williams. Photos from Friday’s gig courtesy of Sam Dawes at This Is Noise.

Four people have turned up for the gig so far, they’re standing awkwardly in the corner nursing pints and whispering about where everyone else is. The guy taking money on the door is twiddling his thumbs. I need to sell fifty tickets to cover the cost of putting on the show, so I guess I’ll be living on ramen this month.

The sound engineer is frantically trying to fix the PA, which started rattling and cutting out during the sound check. Two guitarists are scowling at the set up – there’s not enough room on stage and the sound is terrible. We’re running an hour behind and none of the bands have played yet; I’m going to cut the set times and maybe cut the opening act entirely. The headliner band is here apart from the singer, who couldn’t get out of work on time – apparently he’s stuck on a train somewhere. There’s a good chance he won’t make it to the gig at all.

“What the hell were you thinking, Sarah?” the venue manager asks angrily. “There’s no point in us keeping the venue open for four people. This is a waste of time – we’re going to cancel the show if you don’t sort this out.”

My parents are here too: “I can’t believe this is what you’re doing with your life! What a waste of time. Couldn’t you have been a doctor or a lawyer? You are a walking disappointment.”

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Worst case scenario. Fortunately, the real gig was a success. No disasters whatsoever. Nonetheless, that was the nightmare I woke up from the morning after I booked the band and the venue. I am riddled with anxiety at the best of times, so putting an event together has reminded me why I don’t do it regularly.

I recently moved to a completely different part of the country and, as a result, had to bury myself in a deluge of job applications, interviews and utility bills. The last thing I need on top of all that is to be driving 200 miles, promoting a show and trying to squeeze in all the other shows I want to attend. Still, there is a part of me that enjoys being overwhelmed, and there’s nothing I enjoy more than live music.

As such, I thought it’d be a great idea to put on a show at The Smokehouse in Ipswich, a few weeks after moving to Manchester. Darko, Actionmen, PMX and Pessimist are playing as part of my birthday celebration and as a send-off from the venue, where I’ve been working for the past few months. On Thursday I’m going to catch PMX and Actionmen in Manchester, my gig takes place on the Friday, and on Saturday I’m catching PUP and The Menzingers in London. In theory, it should be fun.

Continue reading “Post-Gig Reflections from a Promoter Who’s Prone to Panic Attacks”

Top 5 Punk Rock Songs to F**k To

Valentine’s Day Special: 5 banging punk rock tunes to bonk to on this most hallowed of commercial holidays.

Article by Sarah Williams. Disclaimer: SATIRE. Total satire.

Valentine’s Day. A time of roses, romance and rampant consumerism. It’s also time to make tender, passionate love to your sweetheart, or at least to bang whichever crusty reprobate you stumbled into at the grindcore show last night.

We here at Shout Louder believe that you can (and should) incorporate punk rock into every element of your life, so why not let it be the soundtrack to your sexy time? We have trawled through thousands of punk rock songs to bring you this carefully curated list of bedroom bangers.

We have tried to ensure there’s something here for everyone: from the light-hearted bonkers, to the hardcore heavy-weights, even covering couples who just can’t stop arguing. Don’t worry if Cupid hasn’t sought you with his arrow this year. I am sure these tunes will make an equally suitable soundtrack to your tearful, lonely masturbation, if you’re willing to pause the James Blunt.

In the interest of honesty, I have not personally road-tested (duvet-tested?) these tunes. I have had some memorable experiences to the likes of Pendulum, Papa Roach and Tenacious D over the years, but I’m not normally one to put on my mate’s DIY band while I’m tearing my clothes off. Please do give these a try and give us a blow-by-blow account of your experiences in the comments section.

The Offspring – Self Esteem

“Aaah, it’s time to relax, and you know what that means. A glass of wine, your favourite easy chair and, of course, this compact disc playing on your home stereo. So go on, indulge yourself…”

The Offspring’s aptly titled classic album Smash offers a plethora of punk songs for sending your partner into knee-trembling oblivion. Bad Habit and Killboy Powerhead would both provide a powerful and moving experience, or perhaps you’d rather invite them to Come Out And Play?

Your best bet is Self Esteem, which offers a bleak reminder that you’re being used, that you’re worthless and your partner is probably fucking all your friends. It’s okay because you like the abuse.

So, if you’ve spent Valentine’s Day staring at your phone, waiting for your someone to text you back, only for them to turn up on your doorstep late at night, drunk again and looking to score, this is the song for you. You don’t need to stick up for yourself. Embrace it. Stare deeply into your lover’s eyes, hovering just inches from their face and gently stroke their hair with the dangerous intensity of a would-be stalker. Remember, the more you suffer, the more it shows you really care. Right?

Almeida – Kinslayer

Have you ever wondered what it would like to be a drum kit in a hardcore band? Well, this is your opportunity. Keep pace with this track and you’ll get a blast beating straight through the headboard.

If you like your nights to be loud, fast and hard with some intensely technical finger-action, Almeida are the band for you. You’ll be howling like Tom West’s soaring choruses in no time. As evidenced in this video, they’ll even come hang out in your bedroom if you ask nicely enough. Continue reading “Top 5 Punk Rock Songs to F**k To”

Gig Review: Corrupt Moral Altar @ The Star & Garter [09/02/2018]

A ferocious night of electrifying hardcore, with Boak, Gets Worse and Leeched supporting.

Review by Sarah Williams. Suitably crusty snaps by Dave Jerome.

It’s a small miracle that I make it to Star & Garter at all. I’ve been plenty of times before but I’m walking from a different part of Manchester, so I consult Google Maps to see if there’s a quicker route. There is! Or, well, it looks like there is, until Google leads me down an alley that has more in common with a motorway siding than a footpath, all mud, brambles and metal railings, to somewhere that is definitely not the Star & Garter.

Fortunately, I do know where the venue is, so I navigate blind through Mancunian highways and make it to the pub just in time to hear the soundcheck. Doomy bass rumblings tumble down the staircase under a howled, guttural mic-check. It’s already sounding beautifully bleak.

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Local three-piece Leeched open with a surreal salvo of window-rattling noise and the guitars proceed to squeal with distortion between every song. They drop into an onslaught of progressive, hardcore darkness that the fairly sizeable crowd is already enjoying. I don’t understand a word the singer growls, which is typically a good sign. The drummer is delightfully terrifying, corpse-pale apart from his facial tattoos, playing cloaked in a black hoodie, slowly shouldering his way through a feral onslaught of blast beats. There is an angry cry of, “Why are you not moshing, people? Please mosh for the next one,” which turns out to be a surprisingly polite request from a punter spitting into the stolen mic. Leeched continue to trudge through a catalogue of crusty dark metal that’s low and heavy, ending on a drawn-out decrescendo of six-string distortion.

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Gets Worse are up next, offering an assault of songs that are short, heavy and fist-in-the-gut ferocious. This heavy 4-piece from Leeds shake the room with supremely fast powerviolence sections, punctuated with low slow-motion mosh breaks that expertly build anticipation for the next attack. Above the patchwork of heavy metal shredding are caustically spat vocals. All members of the band contribute to this, but it’s the drummer somehow making time to tear words from his throat that offers the fiercest noise. They slide catastrophically into harder, heavier songs with a handful of quieter, bass-led pauses. The bleak crunch of distorted guitars primes the room both for soberly dressed, serious head-nodding and frantic elbow-smashing bursts of hardcore. Continue reading “Gig Review: Corrupt Moral Altar @ The Star & Garter [09/02/2018]”