Review by Sarah Williams.
I’m lucky enough to have had Triple Sundae‘s new EP for a couple of months now, and it has grown on me with every single listen. The first time I heard Peace of Mind I fell in love with two of the three tracks on it, but a few weeks in I’m completely enamoured with the whole record. Like a relationship that you fall into by accident that turns our just perfect – I’m about ready to marry this EP and grow old together, doing crosswords on a porch with it.
Before you get ready for a big tirade about how much I adore these lovely London lads, I feel I ought to mention that I never used to like their band. I saw them at The Underworld and at (I think) The Unicorn before that and had a distinctly ‘meh’ response. They’ve clearly spent time polishing their songwriting, properly honing their recording at The Ranch and pouring their hearts and souls into this record. Now, I’m begging them to record a full length and dancing about like a lunatic at their live shows (evidence here).
I was thoroughly impressed by every aspect of this recording. The songwriting, the production quality, the delightful melodies and the lyrical themes of anxiety and self-doubt. Indecisive sums up all of this perfectly. The vocals drifts appealingly from warm singing to rougher emotive sections, clearly conveying the lyrics and giving you time to absorb the meanings. Underlining this are some gorgeous cascading guitar tones and enough speed and variety to keep you interested.
There are a great deal of similarities with The Menzingers, partly in the catchy indie-punk style of composition, but mainly (and unusually) in the vocal. Greg Barnett has such an unusual tone that it’s odd to hear it repeated, but there are definitely similarities here, particularly on the ‘so I can’t help you’ lyric at the end of Soul Control. It’s also reminiscent of some of my favourite smaller bands like Forever Unclean, Hard Girls and Shit Present.
Fabricated’s opening riff is by far the most attractive thing to invade my ears in months; it’s a sweet little treat that’s instantly appealing. Saved until the end of this small-but-perfectly-formed EP, Triple Sundae have definitely saved the best till last. The introductory riff will stop you in your tracks. It hooks onto your soul before giving Hassan’s voice room to shine. The slower song pace give the tune room to breathe, giving the listener time to absorb the introspective, self-effacing lyrics. This song is an understated masterpiece, a tune that grips you from first listen, that you know you’ll have the same reaction to in a decade’s time.
This EP also demonstrates an impressive growth from the band. These three tracks have been produced as a beautiful, polished piece that that emulates mainstream quality. Off the back of this beautiful 3-track I honestly think Triple Sundae are ready to explode into something gigantic.
Review by Sarah Williams.