Exclusive: Tim Loud’s New Video Single ‘Things That Matter’

Watch Tim Loud’s new music video for his poignant acoustic folk single ‘Things That Matter’.

Anti-folk hero Tim Loud is releasing a brand new single Things That Matter along with unique BeeBombs and artwork on November 22nd. As big fans of Tim Loud’s impressive back catalogue, we’re proud to premiere it here on Shout Louder.

Things That Matter explores how each of us have our own personal struggles, within the direction life takes us. It concludes that if we were all a little more understanding of this then, it might promote more empathy and unity.

Tim has excelled himself with this new track. We implore you to check out the Bee Bombs available with the release: a selection of 18 UK wildflowers in an a sustainable easy-to-use bomb. Of all the unusual merchandising efforts we’ve seen recently, this is our favourite.

Continue reading “Exclusive: Tim Loud’s New Video Single ‘Things That Matter’”

Shout Louder Podcast: Goodbye Blue Monday [S3 E1]

The Shout Louder Punk Podcast returns with an interview with Scottish misery-punks Goodbye Blue Monday!

The Shout Louder podcast makes a triumphant return, with Scottish misery-punks Goodbye Blue Monday!

Sarah caught up with Graham Lough on tour, to talk about the band’s musical origins, the minefield of mental health and The Power of Ska.

The whole interview with Goodbye Blue Monday was a right giggle, and will appeal to old fans and new. Give it a listen and get excited for the new season of the podcast!

The podcast features some special musical treats from Goodbye Blue Monday, the Garry Biscuits cover band and Terrafraid‘s ‘Control’. Misery-punk may have ruined their lives, but it makes for a hilarious listen.

Continue reading “Shout Louder Podcast: Goodbye Blue Monday [S3 E1]”

Press Club: The Transformative Power of an Album

Sarah discusses the joy of falling in love with ‘Wasted Energy’, the new album from frenetic Melbourne indie-punks Press Club.

Article by Sarah Williams.

It’s a rare and unique pleasure to discover an album that soundtracks a passage of your life. 

We’re swimming in music videos, live streams and status updates; bombarded with new music every day; our tastes made by algorithms and cookie-crumbs of personalised advertising. Where technology has opened the gates of production to any guitarist with a half-decent laptop, for listeners it’s created an overwhelming and (as much as we’d hate to admit it) often disposable deluge of singles and playlists.

Previously a big collector, even I have eschewed buying CDs and vinyl since I’ve had Spotify readily available on my phone. The majority of my listening takes places via playlists, either ones I’ve made myself or those curated by people I respect. Playlists are an exciting voyage of musical discovery and appeal to the romantic tradition of making mix tapes, but it’s a fast-paced and high-volume form of listening.

My life reflects my listening. I’m constantly on the verge of burn-out: trying to squeeze too many things into my waking hours. I listen to a vast amount of new music in the search for something genuinely interesting, but rarely do I take the time to fully absorb a new release. 

Press Club Wasted Energy.jpg

Press Club have infiltrated my life in secret, and become the key to pressing the pause button when I need it. I saw them a couple of times earlier in the year, at Manchester Punk Festival and Groezrock. There’s no denying that they’re an exceptional band: everyone’s saying it and the jam-packed rooms of fans prove it. 

When Wasted Energy was released on 16 August 2019, I was excited. Moreover, my social timelines exploded with ‘album of the year’ accolades from peers I respect.  

I listened and I thought, “This is great, but I’m not sure it deserves the hype.”

Forever plagued by a snobbish and insecure habit of falling out-of-love with a band whenever they become successful (I’m talking about The Offspring, Green Day and Frank Turner here, not your local DIY heroes), I worried this old malady has come back to haunt me.

Despite my initial lack of excitement, I’ve found myself listening to Wasted Energy a lot. When someone pops round for tea, I stick it on in the background, as it’s easy to listen to. At work, I’ve put it on for the same reason – it’s good and inoffensive. In the car, it’s a great soundtrack to a long drive with a picky passenger.

Slowly, but surely, Wasted Energy crept into my life, gaining a slow-burn of repeat listens and charring an imprint on my daily consciousness.  Until, on my way to work, I realised it’s my instant first choice when I open my library of music. I’m mouthing the words on public transport in that mildly embarrassing but fuck-it-I’m-hardly-the-maddest-person-on-the-bus way.

The album had become background listening for me but, one day suddenly Behave with its impassioned refrain, “Behave, just like a woman,” stood out to me. On the first few listens to Wasted Energy, Behave hadn’t shone particularly brightly, but once I was deeply wrapped in Press Club’s sound it suddenly exploded when I finally took the time to listen.

Now I’m picking up Wasted Energy multiple times as a day, feeling its embrace like a warm blanket, synesthesia sparking muted autumnal auburns and forest greens in my head when I listen. At a time when my life is changing, Wasted Energy is holding my hand, helping me with the transition. When I listen to it, I feel renewed. 

The future is that I’ll play it to death, bordering on the point of private obsession. Like Fair Do’sLeopards and Darko’s Bonsai Mammoth in 2018 and 2017 respectively, I’ll repeat Wasted Energy until I know every intimate minutiae. Then I’ll drop it and it’ll become a warm shadow of that period of my life, intertwined with memories, smells and feelings of the autumn.

Self-described as, “The musical embodiment of the attitude of a generation experiencing impermanence in every way,” Press Club understand my passing obsession with their sound. It’s a theme on the album, through Obsession and Thinking About You.

All their recordings are put to tape live, using a console from the 70’s, rooting their recordings in a familiar, rich warmth, like a favourite jumper, whilst also capturing a transient sense of urgency. It’s the vintage sound that allows Press Club to stand out in a flood of new music. While fresh, frenetic and full of power, the guitars hark back to 90’s grunge, the rhythm conjures flashbacks of blurry basement shows, and the vocals call out glimpses of soul and timeless icons. Natalie Foster’s voice is a love affair in vocal form. 

Now, three months after its release, I can’t even begin to fathom how an album could top Wasted Energy in 2019. It’s a time stamp on this passage of my life, and a repeat listen in ten years will instantly bring back these autumn memories.

Here’s the self-care I’d recommend for you today: find yourself an album and fall in love with it.

To experience the joy for yourself, you can pick up Wasted Energy on one of the most attractive vinyl pressings I’ve ever seen from a range of outlets. It’s out on Hassle Records now. 

Territorial Pissings: Infuriating Queues To Women’s Loos

Em Johnson condemns the insufficient toilet provisions for women; getting pissed off about pissing whilst getting pissed in a brewery.

Guest article written by Em Johnson, who promotes shows in Manchester under the name Bomb Ibiza.

“Because I was an alien, toilets were not prevalent.”

Queuing for bathrooms. We’ve all been there, haven’t we? That rush as the interval nears, as the band finishes, or as the seat belt sign comes off on a plane. That desperate drive to get in the queue. The knowledge that if you don’t get in early you will be trapped for twenty minutes of dead time and awkward chat.

Oh wait. Maybe we haven’t all been there. Women reading this are probably nodding. Many men have probably discarded this as an irrelevance to them, or cracked jokes about women taking longer because of putting on lipstick or gossiping (thanks to those who haven’t). Because guess what? Toilets are a feminist issue. Continue reading “Territorial Pissings: Infuriating Queues To Women’s Loos”

Top 10 Tips For Writing A Fanzine

“The biggest and best thing about a DIY zine is having the freedom to do and say exactly what you want. There are no rules and nobody to answer to so the possibilities are endless.”

Rob Stone has been working tirelessly on the brilliant Positive Creed Fanzine since 2001. In that time, he’s experienced the joys and harsh realities of DIY publishing, and he’s kindly shared this guide… for punks who aren’t afraid of a few papercuts.

Before I begin this article I would just like to make it clear that I do not regard the following list as any kind of rule book or structure to writing a zine. It is merely a catalogue of things that I have learnt over the twenty years that I have been involved in DIY publishing. I also do not consider myself as any kind of authority on the subject. I have made a lot of mistakes during that time, discovered some utterly fantastic music and made contact with some extremely talented people. I hope that the following will help people out and perhaps inspire some of you to produce your own fanzine. Good luck.

10: Safety In Numbers

It’s important to carry enthusiasm but don’t allow yourself to get carried away whilst organising your first issue. Start off small and get a good feel for the potential sales that are possible. Perhaps begin with 50 copies and then gradually work your way up with each issue.

9: Research

When I use the word research, I am coming from the angle of putting together interview questions. I have read more zines than I can remember over the past twenty years and have come across many interviews where a zine editor has managed to arrange an interview with an interesting band/musician, only to ask the most basic and mundane questions.

If your approach to writing questions is lazy and soulless then there’s every chance that the answers will return to you lacking in substance. With the internet and social media now at hand, there is no reason why you can’t delve into the history of a band and construct in-depth questions. This will not only get you a better response, but it will also give your readers a far better insight into your subject. Continue reading “Top 10 Tips For Writing A Fanzine”

One Story Of Recovering From Mental Illness

Sarah shares her story of a year of recovering from depression, exploring the challenges and the stigma attached to it.

Written by Sarah Williams for World Mental Health Day 2019. Trigger warning: suicide.

On Mental Health Awareness Day last year, I somewhat ironically published an article about the horrors of depression, and the relief of overcoming it. I say ironic, because a few days after publishing it, I tried to kill myself.

I fucked it up, and then tried again about a month later. And then again, a third time, in December. 

At the time I remember being frustrated and embarrassed that I couldn’t even do that properly. Suicide is really fucking difficult. Also, the chairs they have in A&E treatment rooms are so uncomfortable it’s really not worth the hassle. 

That was a year ago. Three suicide attempts between October and December 2018. Looking back, my sole focus for the last 12 months has been on trying to get better. And you know what? I am better. Continue reading “One Story Of Recovering From Mental Illness”

EP Review: PI$$ER – Wretched Life

Punk session super-group Pi$$er have released a rare 7” that brings a fresh perspective to old school hardcore. FFO: Doom, Discharge, The Domestics, Beat The Red Light

Written by Ollie Stygall.

Can such a thing as a super-group exist in punk rock? Probably not, but when you have a band consisting of past and present members of The Domestics, Doom, Anti-Cimex, Sore Throat, The Shitty Limits, Revenge Of the Psychotronic Man, Wolfhour, Bring The Drones, Hobopope & The Goldfish Cathedral, Lazarus Blackstar, Dissidents, Bugeyed, Dis-tank and The Filaments it’s hard to call it anything else. The difference is that most super-groups are a cynical cash-in on the members’ previous careers: in punk rock the super-groups exist to make more noise… and PI$$ER make an awesome noise. Continue reading “EP Review: PI$$ER – Wretched Life”